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On the Essence of the Indomitable Spirit

by THE DƎER

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Shalomatoast
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Shalomatoast My generation's 'American Beauty'. This album will stay relevant for many decades. The delivery is selfless and the music is timeless. My new all time favorite. Favorite track: Farther.
one§tone
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one§tone The best new stargaze album of 2015 Favorite track: Look Alive.
Brynne Stamatis
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Brynne Stamatis Grace, you are an amazing individual and you are doing Stephanie proud. Your music is nothing short of enchanting, I loved it from the first time I heard it. I absolutely cannot wait for this album!
Soopreme Kommander
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Soopreme Kommander Listen to this voice - the angels sit quietly and breathe it in. These musicians have come together to create songs that sit in your mind and take you places...go with them.
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1.
Take Flight 04:46
two wheels hit the pavement, I turn the corner where I live in the morning the sun is on my face, the wind at my back and I‘m flying my stomach flips to my heart as I take flight I got a ride to the sky and I take flight two wheels hit the pavement I hit the side road and I cut through the evening high above the crippled cars stacked to the sky I‘m flying
2.
I smell the baby on your breath you smile and like your cigarette racing the white tips of your hands to my surprise / OM curling your current overflows daring to wake among the rose you know I‘s only in the throes to my surprise I was a worm I was a worm but I learned to learn my place in your face I rode a whale / she rode a wind it begins it begin it beginned my end but in the end it would take me over, I would follow the water I wrote a word / I wrote a word and it burned and it burned into but so did you I rode a worm riding the tail of a snail on a wheel in a wheel in a wheel in reverse in an endless wheel and I did feel It would take me over I would follow the water I‘d follow the water to my surprise
3.
In a high-rise apartment by the cold A/C, I awoke with a question mark throttling me. The dot at the bottom came down on my head, and like a snake coiled 'round my arms and my legs. By wrists and by ankles I's hoist toward the ceiling, my fingers and toes, they began to lose feeling, and in my last throes I reached back for the covers, but to my dark dismay I was too far, too far above them. And like through the eye go I. I searched for a sign, a thing recognizable, but through fog and stardust I could feel the rise and fall, the change, the return to the infinite, vaporous soil of the motherland - I'm careful, careful to thank her...and like through the eye go I.
4.
Lately my house is full of yellow, add shades of Tiffany there‘s a song that‘s generating from the front door to the sea open the front door, open the back door inside out exchanging waves look in the eye seamlessly I cease to be so be careful what you reel or cast me back into the sea Lately my living room‘s a wasteland, but my front yard‘s Hannalee and the wrongs the gods are waging will be righted unto thee have been righted unto thee from the front door to the sea
5.
smoke & mirrors hopes & fears hope they hear us smoke & mirrors held to your own light took a hit to the chin to the lips took a hit rise up singing when you are writhing get in & drive & rise up singing Into that good night when it‘s my time in that night when it‘s time hate to go gentle
6.
Farther 05:25
High on the ceiling, in waves of breathing, I can hear signals in distant hymnals I still love now that I'm farther I see the light starlit martyr With the summer ends listless departuren I can see your eyes incensed in rapture Like encoded cryptic, a Sufi mystic Like lightening whelk spirals and endless aisles When the sun spins settings in colours I still love tripping with others I still love now that I'm farther I see the light scarlet martyr
7.
Wrestled & saved by the wine-colored waves no amount of danger in my darling Infinite language in the eyes of cetaceans safe within the belly of intelligent being deep in deep end Esalen
8.
instrumental
9.
Farm 02:52
I can’t come up for air until I’ve had my share of hollow sidestreet cars and my morning stare so I’m moving to the farm where I’ve got a girl I can’t do her no harm ’cause she checks my arm I can’t think to speak I can’t pleasure to seek and if the holler’s dry well then I won’t be weak ’cause tracks’ll disappear just so long as they will repair then reappear as far eyes can tell When all the weather is gone and all the windows too the old smokestack sings I’ve been looking for you So I’m moving to the farm where I’ve got a girl I can’t do her no harm when she checks my arm When all the leaks are gone and all the ceilings too the old smokestacks sing, ’’we’ve been looking for you’’ So I sneak to the barn, I can’t find my girl farewell to the score, I’m hanging up my arm
10.
The creek is rising, it’s early morning The sky is laughing over the wasteland the door is open, my room is flooding cracks in the pavement, things they might have been The day is breaking as I awaken, my bed is floating out in the open I’ve got a new friend sleeping in my head
11.
Look Alive 03:58
I lost my balance in the morning, in the morning in a white-footed falling rain I kissed her reflection in the river, in the river oh the star-covered rose-budded face I reached in my pocket for a switchblade or a handshake all I found was a rosary and the Holy Bible I devoured, I devoured was of well water, soil, and change Now they say to the back of my eyes "Would you look alive, would you look alive?" They say to the back of my eyes "would you look alive?" One hand on my thigh and the other hand twists a thorn in my side I took for a wife a starving artist, starving artist with a red-headed genius steed She was strong, she was private she would probably survive it oh I wait patiently for the saints to decree that she faked the whole thing and there’s no pressing need to succumb to falling freedom the white, white bird took to the white, white moon took me to deep, dark gloom, oh and back up through and now they say to the back of my eyes "Would you look alive, would you look alive?" they say to the back of my eyes "would you look alive?" One hand on my thigh and the other hand twists a thorn inside my side, I don’t understand why Thank your lucky stars for bring you your dear departed Did you see to it she came through me?
12.
In the bright light of your leaving, your visage and your vim was cast, along with the impression of a life electric few possess On the bright side of my memory, the place behind my waking eye your figure hewn in stark relief out of the shadow in my mind all the bright roses // words fail me all the angels of bright glory, the wrath of God, the gracious host the wild, wildest horses could not wrench from me your wretched ghost In my bride’s eyes a great forest and down her throat, the universe now she is reunited with that which the senses cannot observe good for nothing, looking for something good for nothing, I’m good for nothing good for nothing, waiting on something, coast to the golden coast whether or not you fly doesn’t matter where you’ll be coming from you’ll be going whether or not you’re high doesn’t matter where you’ll be coming from you’ll be going whether or not you cry doesn’t matter where you’ll be coming from you’ll be going I’m around to keep the rise and run from falling off I’m around to keep the rise and run
13.
Sound, isn’t it strange how the layers play and intertwine Sound, isn’t it strange, Like the ancient wind in sea & whine Sound, upon her whim, whispering she won’t wait for him His writ, a heavy limb, flails & frails, Spinning hymns Spinning him through sea in whine, the ancient wind in sea & whine Still, a seraphim of irridescence will pulse & pull you in as you leak away your hydrogen ’till your lungs give in Faint, I hear her roar and ricochet off the ocean floor round an ambient wade in textures I haven’t heard before Faint, I hear her roar and ricochet off the ocean floor round in ambient wade in textures all unheard before heard before, herbivore, in textures I haven’t heard before
14.
High on the ceiling, in waves of breathing, I can hear signals in distant hymnals I still love now that I'm farther I see the light starlit martyr With the summer ends listless departuren I can see your eyes incensed in rapture Like encoded cryptic, a Sufi mystic Like lightening whelk spirals and endless aisles When the sun spins settings in colours I still love tripping with others I still love now that I'm farther I see the light scarlet martyr

about

Recorded at four home studios with love and tenacity:
Nine Grey Clouds Studio, Falcon Ledge Studio, Strickland Sessions (all in Austin), & The Dollhouse in San Marcos, Texas
Engineered by Michael McLeod & Michael Schaffer
Produced by The Deer
All songs © The Deer 2015
Artwork by Grace Park

credits

released January 1, 2015

Grace Park // vocals, keys
Michael McLeod // electric & acoustic guitar, percussion, electric bass
Jesse Dalton // upright & electric bass, acoustic & electric guitar, vocal, banjo, bells
Alan Eckert // drums, percussion, vocals, keys

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THE DƎER Austin, Texas

Indie folk from Austin. Singer Grace Rowland, guitarist Michael McLeod, bassist Jesse Dalton, drummer Alan Eckert, and string player Noah Jeffries dress up their otherworldly tunes in sequined mermaid jumpsuits. They're formerly known as Grace Park & the Deer. ... more

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